A Mad-Lib obituary for "The Leftovers", a beautiful show and this heartbreaking, lovely world.
Alien: Covenant mostly succeeds at combining the rollicking action of Aliens to the existential dread of Prometheus.
Master of None's second season has a few fascinating episodes, but a flaccid central love story.
'Veep' and 'Silicon Valley' HBO's veteran regularly scheduled comedies shake things up in their new seasons. Yet only one excels at shifting the equation.
'Tramps' is light on its feet, charming as hell and able to move calmly and swiftly through an overeager summer day.
The Leftovers begins its final season.
The Fate of the Furious is mostly a good time, but there's too little heart and too much of everything else.
The Sense of an Ending flattens a great novel about nostalgia into a cheaply nostalgic film.
I Don't Feel at Home in This World Anymore, from Blue Ruin's star Macon Blair, has no control of tone or sense of structure.
What makes Jordan Peele’s Get Out so engaging, frightening and hysterical is that he knows exactly when to play the material straight.
'My Life As A Zucchini' features a simple lesson, beautifully told in a form deserving of its minor renaissance.