Thanks to the added value of subversive tweaks, Revenge is much better than other exploitation films.
For those who could never afford to stay inside its hallowed walls, Always at the Carlyle brings audiences a little closer to the glitz and glamour.
Lining Joaquin Phoenix up to work for Lynne Ramsay (We Need to Talk About Kevin) could only result in one of the most harrowing films of the year.
Jon Hamm is eager to show audiences he's more than a slick salesman in Brad Anderson's latest.
They Remain creates a great sense of mood, but its pacing is a serious problem.
Golden Exits is the least clean and most overwritten of Alex Ross Perry's filmography, resulting in a mostly suffocating mood where everything is explained (even the title).
Come for Die Hard in a cabin starring Jason Momoa, stay for the axes being thrown into faces.
Jessica Chastain and Aaron Sorkin together are a cinephile's dream.
The crowd for Hostiles isn't going to be a large one, but those amenable to it will find much to appreciate.
The Shape of Water is a whimsical pleasure, but it has limited upside.
I, Tonya pushes past the memeification of a human being.
This isn't a documentary about method acting gone wrong, it's a weaving of personalities separated by decades.